Media and communications PhD

Media and communication studies is a multi-faceted research area that examines the ways in which the media represent and influence our social, cultural and political lives. Research in media and communications critically analyses the role of media institutions, as well as the changing landscape of media industries and cultural production.

The Ï㽶ֱ²¥ fosters a thriving community of theorists and practitioners in the development of new knowledge around media cultures, technologies and practices. Our research examines audiences and reception, television and screen studies, digital media, gender and communication, communication and democracy, as well as media history, policy and law. We are ideally placed to offer supervisory support in this diverse and complex area, drawing on the methodologies from both the research staff at the school and related disciplines university-wide.

Research is supported through specialist centres and groups. Our researchers are involved at an organisational level in the Centre for Transforming Sexuality and Gender; the Creative Sound and Music Research Excellence Group and the Photography Research Excellence Group.

Through these specialist centres and groups, research expertise covers a wide range of topics that engage with critical issues around media and communication. Critical investigations of media phenomena or practice-based work through digital arts and sciences, photography and film can also be aligned to cross-disciplinary work with, for example, arts practices, architecture, heritage technologies, cultural studies, human geography, politics and philosophy.

The university supports Media and communications PhD students to research their area of interest across a wide spectrum of media research, drawing on the expertise of cutting-edge academic research.

Our PhD graduates move onto work within and outside academia.

Our registration system collects several programmes under the strand 'Arts and Media.' Please choose this option in the portal. 

Apply with us for funding through the AHRC Techne Doctoral Training Partnership

Key information

As a Media and Communication PhD student, you will benefit from:

  • a supervisory team comprising two or sometimes three members of academic staff. Depending on your research specialism you may also have supervisors from different schools, another research institution, or an external partner from government or industry.
  • access to desk space and computers.
  • access to a range of electronic resources via the university’s online library, as well as to the physical book and journal collections housed within the Aldrich Library and other campus libraries. PhD students also have access to cutting-edge facilities such as the Watts Lab and the .

Recent and current PhD students have been successful in obtaining studentships covering both fees and living costs through the Ï㽶ֱ²¥’s involvement in the and the programmes.

Research themes

With the support of cross-university centres and departmental staff at the School of Art and Media, our students benefit from a productive academic network where media and communication inform diverse investigations. Our staff and postgraduate community critically engage with some of the most exciting and pressing issues of our time - they explore the effects of changes in media technologies and practices upon everyday life, the cultural and creative economy, politics, social well-being and identity.

Our researchers work at the local, national and global level. Engaging with diverse businesses, communities and policy actors including media, publishers, digital companies, community groups and NGOs is central to our approach. In addition to more traditional media and communication approaches, we encourage innovative, interdisciplinary and transdisciplinary approaches. Our research priorities include the areas ‘Digital culture and practice’, ‘Screen, image and visual culture’ and ‘Sound and spatial practice’.

The postgraduate community comprises a diverse group of young scholars that engage in both theoretical and practice-based research. Our postgraduate students have the opportunity to be engaged in a range of activities, including involvements in research centres, organising research events, contributing the School of Media research culture and getting teaching experience.

PhD students could pursue research in a wide range of media and communication topics. Our current areas of research expertise include:

  • Digital Media
  • Data Culture
  • Environmental Communication
  • Game Studies
  • Community Media
  • Screen Cultures
  • Digital Transformations
  • Media Practice
  • Photography
  • Film Studies
  • Sound Studies and Music
  • Gender and Sexuality
  • Digital Humanities
  • Cultural Informatics
  • Creative Industries
  • Mobility and Transport
  • Activism
  • Popular Culture
  • Immersive Media/AR/VR
  • Creative Media
  • Innovation

For more detail about these research areas please check the following links and also the supervisors' profiles below:

Some of our supervisors

Profile photo for Prof Julie Doyle

Professor Doyle has supervised doctoral work on creative and visual climate change communication and engagement, media discourses of environment, gender and popular culture, branding and consumption. She would be happy to supervise work on any aspect of:

* climate and environmental communication 

* creative climate communication and engagement

* media, popular culture and environment

* climate activism and social movements

* visual climate and environmental communication

* veganism, popular culture/media and ethics

* intersectional feminist ecological ethics

Completed students, awarded the degree of PhD:

Dr Viktoria Erlacher-Downing (2024). 'Climate change and mental health: a co-produced, transformative study with young people in Blackpool'. Ï㽶ֱ²¥Â                                                                   

Dr Kate Monson (2024). ‘Staying with the muddle: learning to live well on anthropocene island’. Ï㽶ֱ²¥.

Dr Shai Kassirer (2020). ‘Media Analysis of Hydro-Policies for Climate-Resilience in Israel: Depoliticisation of Desalination Discourse (2001-2018)’. Ï㽶ֱ²¥.

Dr Lucy O’Brien (2018). ‘Express Yourself: Reframing women’s participation, agency and power in popular music’. PhD by Publication. Ï㽶ֱ²¥.

Dr Antigoni Themistokleous (2018). ‘Self regulation by the press in Cyprus’. Ï㽶ֱ²¥.

Dr Chloe Peacock (2013). ‘Double Distinction’: An analysis of consumer participation in Apple branding’. Ï㽶ֱ²¥.

Dr Joanna Boehnert (2012). ‘The Visual Communication of Ecological Literacy’. Ï㽶ֱ²¥.

Profile photo for Dr Theodore Koulouris

(Digital) media theory, literary theory/history (esp. Virginia Woolf, Anglophone and European modernisms, and post-1850s receptions of Hellenism); deconstruction, ethics, ontology, feminism, mourning, narrative, nationalism(s), death, loss, and memory. 

Current PhD/MPhil supervision

Jack Maginn (lead supervisor – live) / themes / topics: Virginia Woolf, time, queer theory, Continental philosophy https://research.brighton.ac.uk/en/persons/jack-maginn   

Kate Anthony (lead supervisor – live) / themes / topics: digital memes, the American alt-right, nationalism, Christian fundamentalism  https://research.brighton.ac.uk/en/persons/katherine-anthony

Sylvie Lewis (lead supervisor - live) / themes / topics: Virginia Woolf, modernism, fairies, shyness in early twentieth-century anglophone literature

Profile photo for Dr Douglas McNaughton

Political economy of television production. Aesthetics and narrative in television. Historical development of British television. Representations of space, place and identities in British screen cultures. Science fiction, fantasy and horror, in particular, British folk horror. Telefantasy, world cinema, screen technologies, the sociology of space. Screen acting and performance.

Profile photo for Dr Julia Winckler

Julia Winckler's interdisciplinary research focuses on working with visual archives and collections. Memory and migration narratives, contested topographies, exile studies, co-production of knowledge and photography & activism are particular areas of interest. 

For PhD applicants:

Winckler currently co-supervises six Phd students at the Ï㽶ֱ²¥ and one Phd student at the University of Salzburg. Two of these Phd projects are practice-based; one is Techne funded, a second is an AHRC CPD studentship. 

Winckler welcomes Phd inquiries that interact with any of the following: 

Working with Archives and Collections: Photographic archives, Community archives, Museums, Private Collections

Memory Studies: Postmemory, transnational memory, cultural memory, communicative memory, personal memory

Art practice as research: visual, creative and ethnographic research methods/photo voice/photo elicitation/digital media technologies, site-specific interventions

Co-production of knowledge: popular education methodology, participatory methods, oral history, histoire croisée/regards croisés methodologies

Photography and activism: community art practice (global, historical & contemporary) and critical pedagogy

Photographers in Exile in Britain: contributions made by emigrés to the field of Applied Arts

For further supervisory staff including cross-disciplinary options, please visit  

Making an  application

Once you have prepared a first-rate application you can apply to the Ï㽶ֱ²¥ through our . When you do, you will require a research proposal, references, a personal statement and a record of your education.

You will be asked whether you have discussed your research proposal and your suitability for doctoral study with a member of the Ï㽶ֱ²¥ staff. We strongly recommend that all applications are made with the collaboration of at least one potential supervisor. Approaches to potential supervisors can be made directly through the details available online. If you are unsure, please do contact the Doctoral College for advice.

Please visit our How to apply for a PhD page for detailed information.

Sign in to our to begin.

Fees and funding

 Funding

Undertaking research study will require university fees as well as support for your research activities and plans for subsistence during full or part-time study.

Funding sources include self-funding, funding by an employer or industrial partners; there are competitive funding opportunities available in most disciplines through, for example, our own university studentships or national (UK) research councils. International students may have options from either their home-based research funding organisations or may be eligible for some UK funds.

Learn more about the funding opportunities available to you.

Tuition fees academic year 2024–25

Standard fees are listed below, but may vary depending on subject area. Some subject areas may charge bench fees/consumables; this will be decided as part of any offer made. Fees for UK and international/EU students on full-time and part-time courses are likely to incur a small inflation rise each year of a research programme.

MPhil/PhD
 Full-timePart-time

UK

£4,786 

£2,393

International (including EU)

£15,900

N/A

International students registered in the School of Humanities and Social Science or in the School of Business and Law

£14,500

N/A

PhD by Publication
Full-time Part-time
 N/A  £2,393

Contact Brighton Doctoral College

To contact the Doctoral College at the Ï㽶ֱ²¥ we request an email in the first instance. Please visit our contact the Brighton Doctoral College page.

For supervisory contact, please see individual profile pages.